LAURA STARKEY
TITLE: THE SPARE ROOM | Rachel Ryan's Resolutions | Amy Perry's Assumptions | LOVE OFF SCRIPT | ALL YOU HAD TO DO WAS STAY
AGENT: REBECCA WATSON
PRODUCER:
Two unexpected flatmates. One shared space. Will they cross the line into love?
Rosie had the perfect evening lined up: she'd come home early, slip into a sexy dress and surprise her boyfriend with date night. What she was not expecting was to find his bags packed and herself unceremoniously dumped.
But she can't even think about her heartbreak when she faces the more pressing matter of making rent this month. And in desperate times, she agrees to let her spare room out to her elusive upstairs neighbour.
Aled needs somewhere to stay while his place is being renovated, and she gets to keep her home. It's a win-win situation... At least in theory.
For Rosie has sworn off men indefinitely, and never saw herself living with one so soon after her breakup. But being in Aled's company day in, day out has this annoying habit of playing havoc with her heart...
On paper they're just flatmates, but could there be room for more between them?
AGENT: REBECCA WATSON
PRODUCER:
RACHEL THOUGHT THIS WAS HER YEAR. LIFE HAD OTHER PLANS.
1. Re-download Couch to 5K, and actually do the programme
2. Apply for promotion. Avoid projects about dog biscuits, 'miracle' grass seed, etc.
3. DO NOT agree to further dates with Laurence
4. Try to remember Mum means well (!!!)
5. Start using proper night cream with retinol
As her mother likes to remind her, Rachel Ryan is thirty with no partner, hardly any savings and no mortgage. But when she makes her resolutions she's sure this is her year.
By February things are not going to plan. Her career is in chaos as the new guy at work is none other than Jack Harper, who broke her heart at university - and despite herself the chemistry is still there. Plus her best friend has news that will change everything.
As life starts to fall apart around her, will Rachel be able to move on from the past and make some very different resolutions?
Maybe then she'll see what's right in front of her.
AGENT: REBECCA WATSON
PRODUCER:
Amy Perry is driven, ambitious and proudly unromantic. So what if she's more passionate about her career than she is about her handsome boyfriend? It's all about priorities when you're young.
But when she is forced to leave the city and go back to the village she once called home, Amy faces her worst work nightmare - setting up a romance imprint for the publishing house she works for.
As Amy adjusts to life with no bars, boutiques or dairy substitutes, she also comes face to face with someone she's spent years trying to forget. Before long she's as swept up in village life as she is in the romantic manuscripts she has to read - and finds herself discovering unlikely parallels between the characters' lives and her own.
AGENT: REBECCA WATSON
PRODUCER:
She's just a script consultant, standing in front of a director, asking him to step back and let her do her job...
Jess should have known better than to fall for the English department's silver fox, but now she's left picking up the pieces after catching him cheating with a student and stealing the credit for her research paper. Desperate for a fresh start, she accepts a job as a script consultant on a new TV adaptation of the Regency novel, Anne of Arden - and no one knows Georgiana Scott's work better than she does.
Swapping the world of academia for the glamour of TV is supposed to be her big comeback. But standing in her way is Nathan Lambert, a famous director on a mission to sabotage his unfaithful ex-wife's latest work project.
As the two knock heads over every detail of the script, sparks fly, tempers flare, and their unexpected chemistry is anything but scripted. In a world where the lines between reality and fiction blur, can Jess and Nathan rewrite their own happy ending?
AGENT: REBECCA WATSON
PRODUCER:
Hannah has built her dream career, planning other people's happy ever afters - with no hope of her own. Not since that day four years ago; the one she never talks about.
Jude is getting on a plane for the first time in four years. He's not happy about it, but at least he'll be back in Sydney before too long - safe from the things he'd prefer to forget.
But when Hannah's twin and Jude's brother make a shock announcement, and appoint a certain wedding planner, the summer stretching ahead of them suddenly looks a whole lot different...
As they're thrown back together, is it possible that first love could get a second chance?




































































































































































































































