Ann Cleeves
TITLE: Raven Black | White Nights | Red Bones | Blue Lightning | Cold Earth | Dead Water
AGENT: Rebecca Watson
PRODUCER: BBC Studios
It is a cold January morning, and Shetland lies buried beneath a deep layer of snow. Trudging home, Fran Hunter's eye is drawn to a splash of colour on the frozen ground, ravens circling above. It is the strangled body of her teenage neighbour, Catherine Ross. As Fran opens her mouth to scream, the ravens continue their deadly dance.
The locals on the quiet island stubbornly focus their gaze on one man - loner and simpleton Magnus Tait. But when detective Jimmy Perez and his colleagues from the mainland insist on opening out the investigation, a veil of suspicion and fear is thrown over the entire community.
For the first time in years, Catherine's neighbours nervously lock their doors, whilst a killer lives on in their midst.
AGENT: Rebecca Watson
PRODUCER: BBC Studios
It's midsummer in Shetland, the time of the white nights, when birds sing at midnight and the sun never sets.
Artist Bella Sinclair throws a party to launch an exhibition of her work and to introduce the paintings of Fran Hunter. The Herring House, the gallery where the exhibition is held, is on the beach at Biddista, in the remote north west of the island. When a mysterious Englishman bursts into tears and claims not to know who he is or where he's come from, the evening ends in farce. The following day the Englishman is found hanging from a rafter in a boathouse on the jetty, a clown's mask on his face.
Detective Jimmy Perez is convinced that this is a local murder. A second murder Biddista only reinforces this belief. But the detective's relationship with Fran Hunter clouds his judgement. And this is a crazy time of the year when night blurs into day and nothing is quite as it seems.
AGENT: Rebecca Watson
PRODUCER: BBC Studios
Red Bones, the third instalment of Ann Cleeves' Shetland Quartet, is set in spring: a time of rebirth and celebration. And a time of death... for April is the cruelest month.
Perhaps that's why Red Bones was chosen as the basis for Shetland, a new two-part crime drama set in Scotland and starring Douglas Henshall. A special Shetland preview on November 21st was well received by the local audience, and Ann Cleeves gave it her approval too: "It's great," she said. "It's not faithful to the book but it's faithful to the atmosphere and spirit of the book. It's important that it's a good piece of TV rather than stick rigidly to the book." The transmission date has not yet been announced, but is expected to be some time in January.
When a young archaeologist discovers a set of human remains, the island community is intrigued. Is it an ancient find - or a more contemporary mystery? Then an elderly woman is shot on her land in a tragic accident, and Jimmy Perez is called in by her grandson, his own colleague Sandy Wilson. He finds two feuding families whose envy, greed and bitterness has divided the surrounding community.
With Fran in London, and surrounded by people he doesn't know and a community he has no links with, Jimmy finds himself out of his depth. Then another woman dies, and as the spring weather shrouds the island in claustrophobic mists, the two deaths remain shrouded in mystery.
AGENT: Rebecca Watson
PRODUCER: BBC Studios
Detective Jimmy Perez knows it will be a difficult homecoming when he returns to Fair Isle to introduce his fiancée, Fran, to his parents. It's a community where everyone knows each other, and strangers, while welcomed, are still viewed with a degree of mistrust.
Challenging to live on at the best of times, with the autumn storms raging, the island feels cut off from the rest of the world. Trapped, tension is high and tempers become frayed.
Enough to drive someone to murder...
When a woman's body is discovered at the renowned Fair Isle bird observatory, with feathers threaded through her hair, the islanders react with fear and anger. With no support from the mainland and only Fran to help him, Jimmy has to investigate the old-fashioned way. He soon realises that this is no crime of passion - but a murder of cold and calculated intention.
With no way off the island until the storms abate, Jimmy knows he has to work quickly. There's a killer on the island just waiting for the opportunity to strike again.
AGENT: Rebecca Watson
PRODUCER: BBC Studios
In the dark days of a Shetland winter, torrential rain triggers a landslide that crosses the main Lerwick-Sumburgh road and sweeps down to the sea.
At the burial of his old friend Magnus Tait, Jimmy Perez watches the flood of mud and peaty water smash through a croft house in its path. Everyone thinks the croft is uninhabited, but in the wreckage he finds the body of a dark-haired woman wearing a red silk dress. In his mind, she shares his Mediterranean ancestry and soon he becomes obsessed with tracing her identity.
Then it emerges that she was already dead before the landslide hit the house. Perez knows he must find out who she was, and how she died.
AGENT: Rebecca Watson
PRODUCER: BBC Studios
When the body of journalist Jerry Markham is found in a traditional Shetland boat, outside the house of the Fiscal down at the Marina, young Detective Inspector Willow Reeves is drafted in from the Hebrides to head up the investigation.
Since the death of his fiancée, Inspector Jimmy Perez has been out the loop, but his interest in this new case is stirred and he decides to help the inquiry - for Willow, his local knowledge is invaluable as the close-knit community holds many secrets. Markham - originally a Shetlander but who had made a name for himself in London - had left the islands years before to pursue his burgeoning writing career. In his wake, he left a scandal involving a young girl, Evie Watt, who is now engaged to a crofter. He had few friends there, so why was he back in Shetland?
Willow and Jimmy are soon led to Sullom Voe, the heart of Shetland's North Sea oil and gas industry. In a community where traditional values are held very dear by some, the advent of new energies, even renewables, is not always welcome. It emerges that Markham was chasing a story in his final days. One that must have been - for someone - significant enough to warrant his death.